Here is another Christmas bumper we did as part of a package of holiday bumpers….long ago. The Currier and Ives look was achieved by our art director/ B.G. artist, Michael Lowery. These were early in his career and Michael always did a terrific job of translating into color some of our wacky ideas.

By the way…that final shot trucks out from a 10 field to a 23 field on the Christmas bulb.

MERRY CHRISTMAS EVERYONE!!!!

Here is My Christmas list of My Favorite Holiday Animation….enjoy…

Peace on Earth by MGM’s Hugh Harmon and Rudolph Ising (1939) nominated for the Nobel Peace Prize

Cosmic Christmas by Nelvanna directed by Frank Nissen

A Wish for Wings that Work (1991) Universal TV Animation, director Skip Jones

How the Grinch Stole Christmas by Chuck Jones

A Peanuts Christmas by Charles Schulz Produced by Bill Melendez

Mickey’s Christmas Carol, Disney Studios,1983, directed by Burny Mattinson

Ziggy’s Gift directed by Richard Williams (1982)

A Christmas Carol, A Ghost story directed by Richard Williams, produced by Chuck Jones

Twice Upon a Christmas produced by the Disney Studios

The Box by Paul Driessen (1975)

Rudolph the Rednosed Reindeer by Rankin and Bass (1964)

This is a pencil test of the TONY sequence from the animated film OUR WORLD. It was not included in the final because we had enough sequences between longer pieces of animation. If OUR WORLD is an ongoing project- then it will be added later…

All of my animation was shot in FLIPBOOK software by Digicel.

This is RUFF animation and the timing was changed in certain areas after this test…see if you can find what we changed…

Tony is based on my former producer Tony Ames- principle percussionist of the National Symphony in Washington, D.C.

Tony doesn’t really look like this- except for his “go for it” attitude in life. My BEST producer EVER!!!

Sometime last century, a small animation studio on the outskirts of Washington D.C. was a hub of activity. This animated clip motivated their entire process. It was the first animation produced by the Animation House, Inc. in Alexandria, Virginia.

The staff grew from 1 to 6 in about three weeks and on to about 40 artists. keep in mind this was back in the animation stone age when animation was draw by pencil in hand, those drawings inked onto cels and those cels with their beautiful hand-painted backgrounds shot under a camera stand one frame at a time….ahhhhhhhhhh, the good old days.

Freddy’s Christmas was the first animation produced. It was a huge test, a leap of faith, a coming together of kindred animated souls for the art form. Everything seemed so simple then.

It took less than two weeks to animate, paint cels, do backgrounds, do the music, voice (yes, thats me singing off key- on purpose…really), sound effects and mix, edt- out the door.

That was a great time…very special…my thanks to everyone who participated

Raul as depicted in a cartoon sketch on Tybee Island, GA.

Here is a cartoon sketch of a filmmaker friend of mine Raul O Leary. We first worked together on the North/South of Ireland project ANIMAGIC! The idea of ANIMAGIC spawned from the CINEMAGIC Film Festival in Belfast and Derry (known as Londonderry to some folks.)

Anyhow, Raul was instrumental to the animation that appeared between the animated sequences. Raul was GREAT! He never complained and just did his work.

The cartoon sketch here depicts him in his new role from his new live-action project IN SEARCH OF OSAMA.

Hopefully, I can get a hold of some footage and place it on the site or give a link to his site.

Raul spent three years on his quest, it is ALL shot POV (point of view).